{"id":72,"date":"2021-10-01T15:31:37","date_gmt":"2021-10-01T15:31:37","guid":{"rendered":"https:\/\/monika.web-work.at\/?page_id=72"},"modified":"2025-11-05T16:49:29","modified_gmt":"2025-11-05T16:49:29","slug":"lectures-and-talks","status":"publish","type":"page","link":"https:\/\/leisch-kiesl.com\/en\/veranstaltungen\/vortrage-und-talks\/","title":{"rendered":"Lectures and Talks"},"content":{"rendered":"

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Vortr\u00e4ge und Talks (Auswahl)<\/h1>\n

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2025<\/h2>\n

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VORTRAG: <\/strong>Die Dame Vernunft und das Schreiben von Geschichte. <\/strong>Christine de Pizans Livre de la cit\u00e9 des dames<\/em>
Moderation: Dorothea Erbele-K\u00fcster<\/strong><\/strong><\/p>\n

Johannes Gutenberg-Universit\u00e4t Mainz\u00a0<\/a>
im Rahmen des Christine de Pizan-Mentorings<\/a>
02.07.2025<\/p>\n

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EMERITIERUNGSVORTRAG:
<\/strong>TWO CITIES. Eine \u00e4sthetische Ann\u00e4herung an ethische Verantwortung\u00a0<\/strong><\/strong><\/p>\n

Katholische Privat-Universit\u00e4t Linz<\/a>
25.06.2025<\/p>\n

Bericht online<\/a>
zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

KURZ-VORTRAG:
<\/strong>Logik und Spiritualit\u00e4t in der konkreten Kunst<\/span><\/strong><\/p>\n

<\/a><\/p>\n

<\/a>Im Rahmen der Er\u00f6ffnung der Ausstellung
ECCE. Eine plastischen Intervention von Josef Linschinger<\/a>
im Kloster Traunkirchen
<\/span>16.04.2025<\/span><\/p>\n

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VORTRAG: <\/strong>Evoking a Sign | Perceiving an Image.
How images (of art) gain meaning and relevance \u2013 in public space<\/span><\/b><\/p>\n

<\/a><\/p>\n

<\/a>Im Rahmen der BIP Spring Academy, KU Linz<\/a>
\u00ab<\/span>Art, Space, and the Publics\u00bb<\/span><\/a>
<\/span>09.04.2025<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

VORTRAG: Das Ornament als symbolische Form? Zu den digitalen Zeichnungen Parastou Forouhars<\/strong><\/p>\n

<\/a>Internationales Kolloquium \u00abErnst Cassirer & die bildende Kunst<\/span><\/a>\u00bb<\/a>
Fakult\u00e4t f\u00fcrPhilosophie und f\u00fcr Kunstwissenschaft
KU Linz, 26.\u201328.03.2025<\/span><\/p>\n

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PODIUMSDISIUSSION und BUCHPR\u00c4SENTATION:<\/strong>
TWO CITIES: An Aesthetic Approach to Ethical Responsiblity (VfmK, 2024)<\/a><\/strong><\/em>
zus. m. Irena Lagator Pejovi\u0107, und (online) Mi\u0161ko \u0160uvakovi\u0107<\/strong>
Moderation: Natalija Vuju\u0161evi\u0107<\/strong><\/p>\n

Fondacja Petrovi\u0107 Njego\u0161 Podogrica<\/a>, 27.02.2025<\/p>\n

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2024<\/h2>\n

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PODIUMSDISKUSSION und BUCHPR\u00c4SENTATION:
TWO CITIES: <\/a><\/em><\/strong>An Aesthetic Approach to Ethical Responsibility (VfmK, 2024)<\/a><\/em>
<\/strong>zus. mit Irena Lagator Pejovi\u0107 und Elke Krasny
Moderation: Julia Allerstorfer-Hertel
<\/strong><\/strong><\/p>\n

DEPOT Wien<\/a>, 27.11.2024
online abrufbar<\/a><\/p>\n

\u2013> Zu weiteren Vortr\u00e4gen und Veranstaltungen zu TWO CITIES<\/a>
\u2013> Zu einem visuellen BEST-OF s\u00e4mtlicher Vortr\u00e4ge, Talks und Pr\u00e4seantionen von TWO CITIES im Zeitraum 2024\u201325\u00a0<\/a><\/p>\n

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LECTURE: TWO CITIES. <\/strong>An Aesthetic Approach to Ethical Responsibility
An insight into a forthcoming book \u2026
<\/strong>Moderation: Laura Duduleanu, Christina Dajo
<\/strong><\/strong><\/p>\n

UVT Faculty of Arts and Design, Timisoara<\/a>
UVT Art Center \/ Galeria cu Platani
<\/span>01.10.2024<\/p>\n

<\/a><\/p>\n

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PODIUMSDISKUSSION und BUCHPR\u00c4SENTATION: <\/span><\/strong>East Central European Art Histories and Austria <\/span><\/em><\/strong><\/a>(transcript 2024)<\/a>
<\/span><\/strong>zus. mit Julia Allerstorfer-Hertel, Walter Seidl and Gabriela Manda Seith, sowie (online) Karolina Majewska-G\u00fcde und Monika Dro\u017cy\u0144ska <\/span><\/strong><\/p>\n

DEPOT Wien<\/a>
21.11.2024<\/p>\n

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VORTRAG: <\/strong>Dame Raison und das Schreiben von Geschichte
<\/strong>Christine de Pizans Livre de la cit\u00e9 des dames <\/em>im Kontext der europ\u00e4ischen Querelle des femmes
Einf\u00fchrung: Michaela Sohn-Kronthaler, Moderation: Sibylle Traw\u00f6ger<\/strong><\/p>\n

Interdisziplin\u00e4re Gender Studies<\/a>
\u00ab<\/a>30 Jahre Fakult\u00e4tsschwerpunkt, 2024\u00bb
<\/span>Universit\u00e4t Graz, 23.05.2024<\/p>\n

<\/a><\/p>\n

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VORTRAG: \u00abHier ist es sch\u00f6n.\u00bb Robert Musil und die Bildende Kunst. Eine kunstwissenschaftliche Ann\u00e4herug<\/strong><\/p>\n

Robert Musil Institut Klagenfurt<\/a>
Internationale Arbeitstagung<\/a>, 16.04.2024<\/p>\n

online abrufbar<\/a><\/p>\n

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VORTRAG: Hildegard von Bingen’s Liber Scivias<\/em> (around 1150)
<\/strong>A (early) feminist approach to Christian theology?
<\/strong><\/em><\/strong><\/strong>Modaration: Agata Kokoryn<\/strong><\/p>\n

Muzeum HERstorii Sztuki, Krakow<\/a>
03.04.2024<\/p>\n

<\/a><\/p>\n

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2023<\/h2>\n

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Frei leben! und denken im 15. Jahrhundert. Christine de Pizans ‚Livre de la cit\u00e9 des dames‘
TALK und BUCHPR\u00c4SENTATION
mit Karin Petrovi\u0107 (Dozentin <\/a>f\u00fcr Philosophie M\u00fcnchen)
<\/strong><\/strong><\/p>\n

Philosophisches Sonntagscaf\u00e9 in der Monacensia, M\u00fcnchen<\/a>
08.10.2023<\/a><\/a><\/p>\n

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BOOK TALK <\/strong>Lady Reason and the Writing of History \u2013
<\/em>How did Christine de Pizan speak to her audience in WORD and IMAGE ?
<\/em><\/strong><\/strong>Modaration: Agata Kokoryn<\/strong><\/p>\n

Muzeum HERstorii Sztuki, Krak\u00f3w<\/a>
12.09.2023
<\/a><\/p>\n

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GALLERY TALK Expanses of Love<\/em> mit Irena Lagator Pejovi\u0107
und VORTRAG Two Cities. An Encounter between Irena Lagator Pejovi\u0107 and Christine de Pizan\u00a0<\/em><\/strong><\/p>\n

Art Gallery Nade\u017eda Petrovi\u0107, \u010ca\u010dak<\/a>, 19.04.2023<\/p>\n

zur Galerie<\/a>
online abrufbar<\/a><\/p>\n

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PODIUMSDISKUSSION und BUCHPR\u00c4SENTATION
<\/strong>Die Dame Vernunft und das Schreiben von Geschichte<\/em>
<\/strong>zusammen mit Anna Loba, Monika Malinowska und Joanna Partyka (Moderation)<\/strong><\/p>\n

Austriackie Forum Kultury w Warszawie<\/a>, 30.03.2023<\/p>\n

online abrufbar<\/a><\/p>\n

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2022<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

BUCHPR\u00c4SENTATION
<\/strong>WAS SAGT DIE KUNST?\u00a0<\/strong><\/em>
zusammen mit Franziska Hei\u00df, Sandra Kratochwill & Shahram Entekhabi, Lukas Kaelin & Birgit Petri, sowie einer Sound- und Rauminstalltion von Robert Starzer<\/strong><\/p>\n

KU Linz, 01.12.2022<\/p>\n

zur Galerie<\/a><\/p>\n

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WORKSHOP<\/strong>
zusammen mit Dominik Harrer, Maria Bussmann, Elisabeth Janes und Kerstin Pachschw\u00f6ll<\/strong>
K\u00d6NNEN ZEICHEN TANZEN?<\/em><\/strong><\/p>\n

Lange Nacht der Forschung, KU Linz<\/a>
20.05.2022<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.22.1″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

TALK und BUCHPR\u00c4SENTATION<\/strong>
Lady Reason and the Writing of History
<\/strong><\/em>together with Monika Dro\u017cy\u0144ska<\/strong> (moderation) and Renata Kopyto (translation)<\/strong>
<\/strong><\/em><\/strong><\/em><\/p>\n

Dom Norymberski, Krak\u00f3w<\/a>
01.04.2022<\/p>\n

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VORTRAG \u2039 <\/strong>EVOKING A SIGN \u203a<\/strong>
(Contemporary) Concepts of Drawing &
an Aesthetic Approach to the Works of Toba Khedoori<\/b><\/b><\/p>\n

Pepperdine University, Los Angeles, 31.01.2022<\/p>\n

zur Galerie<\/a>
Kurzbericht und Audiomitschnitt<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2021<\/h2>\n

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VORTRAG und BUCHPR\u00c4SENTATION<\/strong>
EVOKING A SIGN \u2013 PERCEIVING AN IMAGE<\/strong>
Three Contemporary Ways of Drawing<\/strong><\/p>\n

Jan Matejko Akademie der Sch\u00f6nen K\u00fcnste, Krakau
17.12.2021<\/p>\n

online abrufbar<\/a><\/p>\n

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TALK und BUCHPR\u00c4SENTATION<\/strong>
zusammen mit Raphaela Hemetsberger<\/strong>
DIE DAME VERNUNFT UND DAS SCHREIBEN VON GESCHICHTE<\/em> (2021)<\/strong><\/p>\n

KU Linz, 07.12.2021<\/p>\n

zur Galerie<\/a>
online abrufbar<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

TALK zwischen Moritz Wesseler (Direktor) und Monika Leisch-Kiesl (Autorin)<\/strong>
im Rahmen der Ausstellung TOBA KHEDOORI<\/strong><\/p>\n

Fridericianum Kassel
23.10.2021<\/p>\n

zur Galerie<\/a><\/p>\n

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ARTIST TALK mit Monika Dro\u017cy\u0144ska<\/strong>
zusammen\u00a0 mit Franziska Heiss<\/strong>
zu ihrer Ausstellung DWA \/ F\u00dcNF<\/strong><\/p>\n

Ausstellung: Im Vorbeigehen II\/19
KU Linz, 20.04.2021<\/p>\n

zur Galerie<\/a><\/p>\n

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2020<\/h2>\n

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BOOK TALK: ZEICH(N)EN. SETZEN.<\/strong>
+ Pr\u00e4sentation einer Sonderedtion mit einer Zeichnung von MARIA BUSSMANN als Fine Art Print in limitierter und signierter Auflage<\/strong><\/p>\n

Ausstellung: Robert Schad. LINIEN
artmark galerie Wien, 02.10.2020<\/p>\n

zur Galerie<\/a><\/p>\n

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BOOK TALK: ZEICH(N)EN. SETZEN.<\/strong><\/p>\n

Ausstellung: Gerhard Dirmoser. Diagramme
galerie hofkabinett Linz<\/a>
23.06.2020<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

KURZVORTRAG: Zettelwirtschaft<\/strong><\/p>\n

Vernissage: wolfram zaunm\u00fcller: <die ernte auf thotzenplotzen>
galerie hofkabinett Linz, 03.03.2020<\/p>\n

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2019<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG, gem. m. Karolina Majewska-G\u00fcde: Global oder Alter-Global. Zeitgen\u00f6ssische Kunstgeschichten aus Mittel- und Osteuropa<\/strong><\/p>\n

Ringvorlesung \u00abGlobal Art History [3]\u00bb
\nFakult\u00e4t f\u00fcr Philosophie und f\u00fcr Kunstwissenschaft KU Linz, 07.10.2019<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Evoking a Sign | Perceiving an Image: Warburg\/Panofsky \u2013 Imdahl\/Boehm \u2013 and afterwards<\/strong><\/p>\n

Konferenz \u00abIconologies\u00bb
\nJagiellonen University Krak\u00f3w, 23.\u201325.05.2019<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]GESPR\u00c4CH AM SONNTAG: Hans Op de Beek_Florian Steininger (Direktor) und Monika Leisch-Kiesl (Philosophin und \u00c4sthetikforscherin)<\/strong><\/p>\n

Kunsthalle Krems, 07.04.2019<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]GUEST LECTURES: Critical (feminist) Art of the 1970s and the 2000s in Poland\u00a0mit\u00a0<\/em>Karolina Majewska-G\u00fcde und Teresa Fazan, Moderation: Monika Leisch-Kiesl<\/strong><\/p>\n

Kepler Salon und KU Linz, \u00a014. \u201316.01.2019<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text admin_label=“2018″ _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2018<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]BOOK TALK: \u2039Global Art History\u203a. Transkulturelle Verortungen von Kunst und Kunstwissenschaft, transcript 2017_<\/em>mit: Julia Allerstorfer, Ebba Koch, Christian Kravagna und Monika Leisch-Kiesl.\u00a0Moderation: Matthias Michalka (mumok)<\/strong><\/p>\n

DEPOT Wien, \u00a007.11.2018<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Polemik zwischen Kunst und Religion bei Luis Bu\u00f1uel<\/strong><\/p>\n

Ringvorlesung:\u00a0\u00abPolemikkunst\u00a0\u2013 Kunstpolemik\u00bb
\nUniversit\u00e4t Salzburg, 23.05.2018<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]ALBERTINA TALK: Keith Haring. The Alphabet<\/em>_Klaus Albrecht Schr\u00f6der (Direktor Albertina)\u00a0im Gespr\u00e4ch mit\u00a0 Kunstwissenschaftlerin Monika Leisch-Kiesl.\u00a0Moderation: Michael Huber (Kurier)<\/strong><\/p>\n

ALBERTINA Wien, 27. 04. 2018<\/p>\n

zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2017<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Zeitgen\u00f6ssische Kunst zwischen\u00a0\u2039Ost\u203a und\u00a0\u2039West\u203a.\u00a0Zeichen \u2022 Bilder \u2022 Codes<\/strong><\/p>\n

Polnische Avantgarde in Berlin \/ Polish Avant-garde in Berlin
\nPolnische Akademie der Wissenschaften, Berlin, 15.12.2017<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]BOOK TALK: ZeichenSetzung | BildWahrnehmung. Toba Khedoori: Gezeichnete Malerei, VfmK: Wien 2016_<\/em>Martin Hochleitner (Direktor\u00a0des Salzburg Museums) im\u00a0Gespr\u00e4ch mit der Autorin<\/strong><\/p>\n

Salzburg Museum, 09.11.2017<\/p>\n

zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Kunstwissenschaft in globaler Perspektive. Westliche Kunstgeschichtsschreibung und Ans\u00e4tze inter- bzw. transkultureller Blicke<\/strong><\/p>\n

Ringvorlesung: Global Art History (2)
\nFakult\u00e4t f\u00fcr Philosophie und f\u00fcr Kunstwissenschaft, KU Linz, 09.10.2017<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]MATINEE zusammen mit Bogdan Vaida (Klavier)
\nF\u00e4hrten der Zeichnung<\/strong><\/p>\n

Rehmann Museum, Laufenburg
\nKulturtage Laufenburg. Flie\u00dfende Grenzen
\n30.07.2017<\/p>\n

zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]ALBERTINA TALK: DRAWING NOW. ZeichenSetzung | BildWahrnehmung.\u00a0Toba Khedoori: Gezeichnete Malerei, VfmK: Wien 2016_<\/em>\u00a0Elsy Lahner (Kuratorin\u00a0f\u00fcr Gegenwartskunst) im Gespr\u00e4ch\u00a0mit der Autorin<\/strong><\/p>\n

Albertina Wien, 01.04.2017<\/p>\n

zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]BOOK LAUNCH.ZeichenSetzung | BildWahrnehmung. Toba Khedoori:\u00a0Gezeichnete Malerei, VfmK: Wien 2016<\/em><\/strong><\/p>\n

Galerie STAMPA, Basel, 31.01.2017<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2016<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Die Improvisation der Zeichnung\u00a0+<\/strong>
\n BUCHPR\u00c4SENTATION:\u00a0Zeichensetzung | BildWahrnehumng.\u00a0Toba Khedoori: Gezeichnete Malerei,\u00a0VfmK: Wien 2016<\/em><\/strong><\/p>\n

Brunnhofer Galerie in Kooperation mit
\nKepler Salon Extern, Linz, 05.12.2016<\/p>\n

zur Galerie<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Zeitgen\u00f6ssische Kunst zwischen \u2039Ost\u203a und \u2039West\u203a.\u00a0Zeichen\u00a0\u00b7 Bilder\u00a0\u00b7 Codes. Francis Al\u00ffs, The Silence of Ani, 2015<\/strong><\/p>\n

GIP Annual Conference:
\nThe Strength, Power and Force of Images, Wien, 22.09.2016<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2015<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Art Global. Kunstwissenschaft in interkultureller\u00a0Perspektive<\/strong><\/p>\n

\u00d6sterreichische Gesellschaft f\u00fcr Religionswissenschaft
\nWien, 02.12.2015<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Westliche Kunstgeschichtsschreibung und erste Ans\u00e4tze\u00a0eines globalen bzw. interkulturellen Blicks<\/strong><\/p>\n

Ringvorlesung: Global Art History
\nFakult\u00e4t f\u00fcr Philosophie und f\u00fcr Kunstwissenschaft, KU Linz, 07.10.2017<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Elfiede Jelinek\u2019s Kinder der Toten<\/em> and Contemporary Art\u00a0of the Islamic World<\/strong><\/p>\n

Forschungskolloquium: Other Modernities
\nUniversit\u00e4t Genf, 21.05.2015<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2014<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: le trait \u2013 le r\u00e9trait<\/em>. Der Einschnitt (entame<\/em>) [in] der Zeichnung<\/strong><\/p>\n

Internationales Kolloquium anl\u00e4sslich des 10. Todestages von Jacques Derrida
\nKunstuniversit\u00e4t Linz, 29.09.2014<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: No se puede mirar \/ Man kann es nicht ansehen. Blatt 26\u00a0der Desastres de la Guerra von Francisco Goya<\/strong><\/p>\n

Tagung: Bild und Tod 3. Zu einer Grundfrage der Bildanthropologie
\nUniversit\u00e4t Rostock, 30.05.2014<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Wenn Gegenwartskunst und die Kategorie des Sch\u00f6nen\u00a0aufeinandertreffen<\/strong><\/p>\n

Interdisziplin\u00e4re Ringvorlesung: \u00c4sthetische Kategorien
\nIKP der KU Linz, 10.03.2014<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2013<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Was hat Kunst mit Migration zu tun?\u00a0Sprachen der Kunst<\/strong><\/p>\n

5. Dialogforum der Donau-Universit\u00e4t Krems
\nGmunden, 02.08.2013<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2012<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Der Kunstbegriff des II. Vatikanum. Eine Relecture\u00a0vor dem Hintergrund gegenw\u00e4rtiger Kunstdiskurse<\/strong><\/p>\n

Ringvorlesung: Das II. Vatikanische Konzil und
\ndie Wissenschaft der Theologie
\nThF der KU Linz, 05.06.2012<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Das Herz hat seine Gr\u00fcnde, die die Vernunft nicht kennt.\u00a0Kunst im Auge Batailles<\/strong><\/p>\n

Internationales Symposium anl\u00e4sslich des 50. Todestages von Georges Bataille
\nIKP und ThF der KU Linz, 06.06.2012<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

2010<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: M\u00e4nnerBlicke \u2013 FrauenBlicke. Kunstwissenschaftliche\u00a0Bemerkungen zu Blick\u2013Beziehungen und Blick\u2013R\u00e4umen<\/strong><\/p>\n

Autorenkolloquium: Der religi\u00f6se Charme der Kunst und
\nder \u00e4sthetische Charme der Religion
\nUniversit\u00e4t Marburg, 02.10.2010<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]3 VORTR\u00c4GE + WORKSHOPS:<\/strong><\/p>\n

    \n
  1. Bilderverbot und vision\u00e4re Schau<\/li>\n
  2. Visionen und Visionsdarstellungen in den Visionsschriften Hildegards von Bingen<\/li>\n
  3. Sehen von Bildern. Darstellungen der Seitenwunde Christi in der sp\u00e4tmittelalterlichen Buchmalerei<\/li>\n<\/ol>\n

    Lasalle Haus in Zusammenarbeit mit dem
    \nDepartement f\u00fcr Kirchengeschichte der Universit\u00e4t Fribourg, 22.\u201323.01.2017<\/p>\n

    nochmalige Durchf\u00fchrung: 20.\u201321.12.2012<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2009<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Marcel Duchamp, \u00c9tant Donn\u00e9s: 1\u00b0 La Chute d\u2019eau,\u00a02\u00b0 Le Gaz d\u2019\u00c9clairage, 1946-66<\/strong><\/p>\n

    Ringvorlesung: Werkinterpretationen
    \nIKP der KU Linz, 07.12.2010<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]FILM-VORTRAG: Triumph des Willens, D 1934\/35, Leni Riefenstahl<\/strong><\/p>\n

    im_fokus, Historisches Sommerkino
    \nSchloss Hartheim, 18.09.2009<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Bilder der Seitenwunde Christi in der sp\u00e4tmittelalterlichen\u00a0Buchmalerei und m\u00f6gliche Korrespondenzen in der Kunst des Aktionismus<\/strong><\/p>\n

    Institut f\u00fcr Kunstgeschichte der Universit\u00e4t Salzburg, 10.03.2009
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]THEMENF\u00dcHRUNG: \u2039Frauen \u2013 Religion\u203a, zus. m. Liselotte Abid<\/strong><\/p>\n

    Kutlug Ataman. Mesopotamische Erz\u00e4hlungen
    \nLentos Kunstmuseum Linz, 03.03.2009<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2008<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: wa\u00df aber dy schonheit sey, das weis ich nit<\/strong><\/p>\n

    Interuniversit\u00e4re Ringvorlesung: Muss Kunst sch\u00f6n sein?
    \nAnton Bruckner Privatuniversit\u00e4t, 10.06.2008<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2007<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Ikonoklasmus und Ikonoklasmen<\/strong><\/p>\n

    Interuniversit\u00e4re Ringvorlesung: GlaubensBilder \u2013 BilderGlaube
    \nIKP der KU Linz, 17.04.2007<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2006<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: (K)ein Bild machen. Zum Bilderverbot in der\u00a0j\u00fcdischen, christlichen und islamischen Tradition<\/strong><\/p>\n

    Bildungshaus Schloss Puchberg, Wels, 23.11.2006<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]LAUDATIO f\u00fcr Arnulf Rainer<\/strong><\/p>\n

    Ehrenpromotion
    \nKU Linz, 18.05.2006<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2005<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Kunst als Sprache der Religion<\/strong><\/p>\n

    Tagung: Autonomie und Ikonografie
    \nEvangelische Akademie Hofgeismar, 02.12.2005<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: \u2039La imaginaci\u00f3n es libre; el hombre no.\u203a Luis Bu\u00f1uel\u00a0im Gespr\u00e4ch mit Derrida<\/strong><\/p>\n

    Derrida-Symposion
    \nDepot Wien, 18.06.2005<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2004<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Bilder der Anderen. Der Schleier \u2013 Gesellschaftliche Diskussionen und k\u00fcnstlerische Ann\u00e4herungen<\/strong>
    \n (gem. m. Julia Allerstorfer)<\/strong><\/p>\n

    Johannes Kepler Universit\u00e4t Linz, 29.04.2004
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2003<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTR\u00c4GE + WORKSHOPS: Bilder der Anderen.\u00a0Allt\u00e4gliche Bilder \u2013 Reflexionen der Kunst<\/strong><\/p>\n

    Salzburger Hochschulwochen
    \nSalzburg, 06.\u201307.08.2003<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Bild und Bilderverbot in Judentum und Christentum<\/strong><\/p>\n

    J\u00fcdisches Museum Hohenems, 15.06.2003<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2002<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Kunst als Sprache der Religion. El Greco \u2013\u00a0Ein Neuerer religi\u00f6ser Malerei?<\/strong><\/p>\n

    Internationale Tagung: Die Sprachen der Religion \/
    \nLanguages of Religion \/ Les langues de la religion \/ Le lingue delle religioni
    \n\u00d6sterreichische Gesellschaft f\u00fcr Religionsphilosophie Linz, 25.05.2002
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2001<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Kunst und Kommunikation<\/strong><\/p>\n

    Kunst-Diskussionen
    \nBank Austria Wien, 03.07.2001<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: \u00abAls alle Dinge in tiefem Schweigen lagen \u2026\u00bb\u00a0Das Religi\u00f6se im Schaffen Max Weilers<\/strong><\/p>\n

    Ober\u00f6sterreichische Landesgalerie Linz, 25.01.2001<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Eva und Maria. Frauenbilder in historischer und\u00a0gegenw\u00e4rtiger Perspektive<\/strong><\/p>\n

    Johannes Kepler Universit\u00e4t Linz, 13.01.2001<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    2000<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG und PODIUMSGESPR\u00c4CH:\u00a0\u00abWenn alle Wege schon gegangen sind \u2026\u00bb<\/strong><\/p>\n

    Arnulf Rainer Retrospektive
    \nNeue Galerie Linz, 28.09.\u00a0+ 05.10.2000<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Das Auftauchen und Verschwinden des K\u00f6rpers\u00a0in der Kunst nach 1945<\/strong><\/p>\n

    Theologische Fakult\u00e4t, Universit\u00e4t Heidelberg, 09.06.2000<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]STATEMENT: Dies ist ein Beispiel f\u00fcr \u2026 (M.Rutt)<\/strong><\/p>\n

    Ober\u00f6sterreichische Landesgalerie Linz, 28.03.2000<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1999<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Zwei \u00abPaar Schuhe\u00bb oder:\u00a0Die Zeit der Kunst<\/strong><\/p>\n

    DG M\u00fcnchen, 17.09.1999<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]TALK: Spielregeln der Kunst: Theorie. Stefan Heidenreich\u00a0im Gespr\u00e4ch mit Monika Leisch-Kiesl<\/strong><\/p>\n

    OK Zentrum f\u00fcr Gegenwartskunst Linz, 05.05.1999<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1998<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Sprache und Sprachverweigerung (moderner) Kunst.\u00a0Gr\u00e4ben und Br\u00fccken zwischen \u201aKunst\u2018 und \u201aKirche\u2018<\/strong><\/p>\n

    Akademie der Di\u00f6zese Rottenburg-Stuttgart, 16.10.1998
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1997<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Identifizierungs- und Verwandlungssuche. Barockes Schauspiel\u00a0versus zeitgen\u00f6ssische Kunst<\/strong><\/p>\n

    der ruhige blick des zufalls
    \nTheatertage Stift Lambach, 10.06.1997<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Bilder als Orte der Theologie?<\/strong><\/p>\n

    Theologische Fakult\u00e4t, Universit\u00e4t Passau, 08.01.1997<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1996<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: \u00abAls alle Dinge in tiefem Schweigen lagen \u2026\u00bb Ein Bildzyklus\u00a0des 20. Jahrhunderts im Gespr\u00e4ch mit Meister Eckhart<\/strong><\/p>\n

    Theologische Fakult\u00e4t Universit\u00e4t Eichst\u00e4tt, 29.01.1996
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1994<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG + WORKSHOPS: Bilder von Eva \u2013 Blicke in die Geschichte\u00a0der bildenden Kunst<\/strong><\/p>\n

    Tagung: Frauen und S\u00fcnde
    \nEvangelische Akademie Arnoldshain, 11. – 13.03.1994<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1992<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Frauenbilder zwischen Eva und Maria. Von der Macht\u00a0theologischer Wertmuster<\/strong><\/p>\n

    Katholische Akademie Freiburg im Breisgau, 15.11.1992<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Eva \u2013 Maria. Die Antithese in mittelalterlicher Kunst\u00a0und Theologie<\/strong><\/p>\n

    Tagung: Maria in der Welt.
    \nMarienverehrung im Kontext der Sozialgeschichte des 10.\u201318. Jahrhunderts
    \nPhilosophisches Institut, Theologische Fakult\u00e4t Luzern, 28.03.1992<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1991<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Die Frau im Christentum<\/strong><\/p>\n

    Tagung: Die Frau in den Weltreligionen
    \nBildungshaus St. Virgil Salzburg, 07.12.1991<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Der Totentanz in der bildenden Kunst<\/strong><\/p>\n

    Tagung: \u00abBin Freund und komme nicht zu strafen.\u00bb
    \nZu Tod und Totentanz in Musik und Theologie\u00bb
    \nBurg Rothenfels, 16.02.1991<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1990<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Glaube oder Gottesl\u00e4sterung \u2013 Moderne Kunst\u00a0und Christentum<\/strong><\/p>\n

    Bildungswerk Stift Zwettl, 20.04.1990<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1989<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Typen des Marienbildes. Zum Wechselverh\u00e4ltnis von\u00a0Kunst und Theologie<\/strong><\/p>\n

    Tagung: Maria\u00a0\u2013\u00a0Mittlerin zwischen \u2039Himmel\u203a und \u2039Erde\u203a
    \nBurg Rothenfels, 27.05.1989<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Als Mann und Frau schuf er sie. Ans\u00e4tze zu einer\u00a0Anthropologie der Geschlechter<\/strong><\/p>\n

    Bildungshaus Schlo\u00df Puchberg, 09.04.1989
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1988<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.20.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Zum Bild Evas. Ein theologisch \u2013 kunstgeschichtlicher Vergleich<\/strong><\/p>\n

    Tagung: Ist Eva an allem schuld
    \nBurg Rothenfels, 27.05.1989
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Anthropologische und theologische Implikationen\u00a0des Marienbildes<\/strong><\/p>\n

    Theologische Fakult\u00e4t, Universit\u00e4t Wien, 15.03.1988
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Marienbilder und Marienfr\u00f6mmigkeit in der bildenden Kunst<\/strong><\/p>\n

    Tagung: Maria \u2013 vieldeutige Symbolgestalt
    \nEvangelische Akademie Arnoldshain, 23.04.1988
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1987<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Eine andere Eva? Fragen zu Kunst und Theologie<\/strong><\/p>\n

    IWK \u2013 Institut f\u00fcr Wissenschaft und Kunst Wien, 29.04.1987
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1986<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Das Gottesbild der Feministischen Theologie<\/strong><\/p>\n

    Quinquinalkurs zur Priesterfortbildung
    \nBildungshaus Schlo\u00df Puchberg, 25.09.1986<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG + WORKSHOP:\u00a0Feministische Theologie \u2013 Eine Einf\u00fchrung<\/strong><\/p>\n

    ACUS \u2013 Arbeitsgemeinschaft f\u00fcr Christentum und Sozialismus
    \nSalzburg, 18.\u201320.04.1986
    \nund \u00f6fter<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_font=“Nunito|700|||||||“ custom_padding=“10px|10px|10px|10px|true|true“ global_colors_info=“{}“]<\/p>\n

    1985<\/h2>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.20.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]VORTRAG: Spirituell-theologische Aspekte in Kunst und Literatur\u00a0der Frauenbewegung<\/strong><\/p>\n

    Tagung: Neue Weiblichkeit \u2013 Tendenzen in der Frauenbewegung heute
    \nBildungshaus Mariatrost, 27.04.1985<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    Vortr\u00e4ge und Talks (Auswahl) 2025VORTRAG: Die Dame Vernunft und das Schreiben von Geschichte. Christine de Pizans Livre de la cit\u00e9 des damesModeration: Dorothea Erbele-K\u00fcster Johannes Gutenberg-Universit\u00e4t Mainz\u00a0im Rahmen des Christine de Pizan-Mentorings02.07.2025EMERITIERUNGSVORTRAG:TWO CITIES. Eine \u00e4sthetische Ann\u00e4herung an ethische Verantwortung\u00a0 Katholische Privat-Universit\u00e4t Linz25.06.2025 Bericht onlinezur GalerieKURZ-VORTRAG: Logik und Spiritualit\u00e4t in der konkreten Kunst Im Rahmen der […]<\/p>\n","protected":false},"author":1,"featured_media":18,"parent":610,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-72","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nVortr\u00e4ge und Talks - Monika Leisch-Kiesl<\/title>\n<meta name=\"description\" content=\"Vortr\u00e4ge, Talks und Buchpr\u00e4sentationen\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leisch-kiesl.com\/en\/exhibitions\/lectures-and-talks\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vortr\u00e4ge und Talks - 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