{"id":80,"date":"2021-10-01T15:31:37","date_gmt":"2021-10-01T15:31:37","guid":{"rendered":"https:\/\/monika.web-work.at\/?page_id=80"},"modified":"2025-11-18T11:52:54","modified_gmt":"2025-11-18T11:52:54","slug":"articles-and-essays","status":"publish","type":"page","link":"https:\/\/leisch-kiesl.com\/en\/publikationen\/aufsatze-und-artikel\/","title":{"rendered":"Articles and Essays"},"content":{"rendered":"

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Lexika<\/h1>\n<\/div>\n

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KUNST. I Philosophie<\/h5>\n

in: Herder Staatslexikon, Bd. 3, 8. v\u00f6llig neu bearb. Auflage, hg. v.d. G\u00f6rres-Gesellschaft, Freiburg\/Basel\/Wien 2019, 1210\u20131217<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a>
Extended Version unter:\u00a0Academia.edu<\/a><\/p>\n

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Eva (Kunst); Ikonografie; M\u00e4rtyrin (Teil 2); Symbol (Kunstgeschichte)<\/h5>\n

in: W\u00f6rterbuch der feministischen Theologie, hg. v. Elisabeth G\u00f6ssmann u.a., G\u00fctersloh (2)2002, 131\u2013133; 297\u2013298; 406\u2013408; 528\u2013531<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Symbol (II. Philosophie und Theologie)<\/h5>\n

in: Lexikon des Mittelalters VIII, M\u00fcnchen u.a. 1997, 354\u2013358<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Hrotsvith de Gandersheim (930\u2013973); Hildegarde de Bingen (1098\u20131179);\u00a0Christine de Pizan (1364\u20131430); Christiane Dorothea Leporin (1715\u20131762)<\/h5>\n

in: Enyclop\u00e9die Philosophique Universelle, III\/ 1: Les Oeuvres philosophiques. Dictionnaire, hg.v. Jean-Francois Matte\u00ed, Paris 1992, 588; 584; 474\u2013475; 1286<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Sammelb\u00e4nde und Fachzeitschriften (Auswahl)<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2024<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.2″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

Das \u00e4sthetische Konzept des Livre de la cit\u00e9 des dames<\/em> Chistine de Pizans<\/span><\/span><\/a><\/span><\/h5>\n

in: Mu\u00f1oz Fern\u00e1ndez, \u00c1ngela\/ von Tippelskirch, Xenia (Hg.), <\/span>\u00abQuerelle des femmes\u00bb. Der Geschlechterstreit vom Sp\u00e4tmittelalter bis zur fr\u00fchen Neuzeit, Stuttgart: Kohlhammer, 2024, 153\u2013168<\/span><\/p>\n

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\u00abWe Both Love this Piece Pie\u0328c\u0301 <\/em>so much.\u00bb Walking through the Stairwell at KU Private University Linz<\/h5>\n

in: Allerstorfer-Hertel, Julia \/ Majewska-G\u00fcde, Karolina \/ Leisch-Kiesl, Monika (eds.), East-Central European Art Histories and Austria. Imperial Pasts \u2013Neoliberal Presences \u2013 Decolonial Futures (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie, Vol. 14), Bielefeld: transcript, 2024, 251\u2013288<\/p>\n

DOI: https:\/\/doi.org\/10.14361\/9783839473634-010<\/a><\/p>\n

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2023<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.2″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

El concepto est\u00e9tico de \u2039<\/strong>Le livre de la cit\u00e9 des dames\u203a <\/strong>de Christine de Pizan<\/h5>\n

(\u00fcbers. a.d. Dt. v. Nuria Calduch-Benages)<\/p>\n

in: Mu\u00f1oz Fern\u00e1ndez, \u00c1ngela\/ von Tippelskirch, Xenia (eds.), La Querella de las mujeres (Bibliy Y Mujeres 13), Estella, Esp. 2023, 141\u201355<\/p>\n

online unter: Academia.edu<\/a><\/span><\/p>\n

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TEXTIL ALS KUNST. Fritz Riedl – Ein Pionier \u00f6sterreichischer Textilkunst<\/h5>\n

in: Parnass 03\/2023, 168f<\/p>\n

augmented version unter: Academia.edu<\/a><\/span><\/p>\n

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2022<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.19.4″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

Die Zeitgenossenschaft des Sch\u00f6nen<\/h5>\n

in: Kunstforum International 286 (2022),\u00a0 118\u2013127<\/p>\n

online unter: Kunstforum International<\/a><\/span><\/p>\n

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An O\u015b\u0107 in Your Throat and a Needle in the Hand. Monika Dro\u017cy\u0144ska\u2019s Acute Embroidery<\/h5>\n

in: Monika Dro\u017cy\u0144ska, The Politics of Letters. Language as a Source of Liberation, red. by Katarzyna Krysiak, Galeria Fosksal. Warszawa 2022, 17\u201323 (pol.), 25\u201331 (ukr.), 33\u201339 (engl.)<\/p>\n

online unter: Academia.edu<\/a><\/p>\n

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Der Widerstand der Dinge. Das Verstummen der Worte und die Sprache(n) der Kunst<\/h5>\n

in: Achleitner, Wilhelm \/ Halbmayr, Alois \/ Schmidinger, Heinrich (Hg.), Zur Freiheit befreit. Gottfried Bachl und seine Gottesgeschichten (Salzburger Theologische Studien Bd. 68), Innsbruck 2022, 109\u2013132<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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2020<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Wie Bilder Relevanz gewinnen. Ein philosophischer Versuch_im Medium der Kunst<\/h5>\n

in: Buchhammer, Brigitte (Hg.), Philosophie in einer Welt der \u00d6konomisierung. Theorie und Praxis, Wien 2020, 9\u201321<\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Generieren und Rezipieren von Zeichen. Einf\u00fchrung<\/h5>\n

in: Leisch-Kiesl, Monika (Hg.), ZEICH(N)EN. SETZEN. Bedeutungsgenerierung im M\u00e4andern zwischen Bildern und Begriffen (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie 11), Bielefeld 2020, 83\u201389<\/p>\n

Leseprobe online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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\u00abDie Kunst ist ein Anwalt des Eros\u00bb<\/h5>\n

in: \u00abAuf Kunst verzichten, hei\u00dft sprachlos werden.\u00bb Die Sammlung Rombold,\u00a0<\/span>Landesgalerie Linz<\/a>\u00a0<\/span>\/ Bibliothek der Provinz: Weitra 2020, 24\u201333<\/p>\n

Katalog zu beziehen \u00fcber:\u00a0Bibliothek der Provinz<\/a><\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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Zettelwirtschaft. Zu den Arbeiten von Wolfram Zaunm\u00fcller<\/strong><\/h5>\n

in: wolfram zaunm\u00fcller. \u2039die ernte auf thotzenplotzen\u203a eine verzettelte parareale geschichte,\u00a0<\/span>edition hofkabinett<\/a>: Linz 2020, 5\u201313<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2019<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Contemporary Art Between \u00abEast\u00bb and \u00abWest\u00bb. Signs \u22c5 Images \u22c5 Codes<\/h5>\n

in: Stolarska-Fronia, Malgorzata (Hg.), Polish Avant-Garde in Berlin, Berlin 2019, 227\u2013241<\/p>\n

DOI:\u00a0<\/span>https:\/\/doi.org\/10.3726\/b16628<\/a><\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Die zwei Seiten einer Linie. Bemerkungen zum Fr\u00fchwerk von Maria Lassnig und Arnulf Rainer<\/strong><\/h5>\n

in: Maria Lassnig \u2013\u00a0Arnulf Rainer. Das Fr\u00fchwerk, hg. v. Hemma Schmutz und Brigitte Reutner,\u00a0LENTOS Kunstmuseum Linz<\/a>, Feb. \u2013 Mai 2019, K\u00f6ln 2019, 49\u201366<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2018<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Zeitgen\u00f6ssische Kunst zwischen\u00a0\u2039Ost\u203a und\u00a0\u2039West\u203a. Zeichen \u2013 Bilder \u2013 Codes<\/h5>\n

in: Seitz, Sergej\/Grane\u00df, Anke\/Stenger, Georg (Hg.), Facetten gegenw\u00e4rtiger Bildtheorie. Interkulturelle und interdisziplin\u00e4re Perspektiven,\u00a0<\/span><\/em>Wiesbaden 2018, 319\u2013337
DOI:\u00a0<\/span>10.1007\/978-3-658-22827-9_18<\/a><\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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le trait \u2013 le r\u00e9trait. Der Einschnitt (entame) in der Zeichnung<\/strong><\/h5>\n

in: Boelderl, Artur\/Leisch-Kiesl, Monika (Hg.), \u201aDie Zukunft geh\u00f6rt den Phantomen\u2018. Kunst und Politik (in) der Dekonstruktion (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie 9), Bielefeld 2018,\u00a0<\/span><\/em>83\u2013<\/span>108
DOI:\u00a0<\/span>10.14361\/9783839442227<\/a><\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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2017<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Kunstwissenschaft in globaler Perspektive. Westliche Kunstgeschichtsschreibung und Ans\u00e4tze inter- bzw. transkultureller Blicke<\/h5>\n

in: Allerstorfer, Julia\/Leisch-Kiesl, Monika (Hg.), \u00abGlobal Art History\u00bb. Transkulturelle Verortungen von Kunst und Kunstwissenschaft (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie 8), Bielefeld 2017, 19\u201328
DOI:\u00a010.14361\/9783839440612-005<\/a><\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Wenn Gegenwartskunst und die Kategorie des Sch\u00f6nen aufeinandertreffen<\/h5>\n

in: Leisch-Kiesl, Monika\/Gottschlich, Max\/Winder, Susi (Hg.), \u00c4sthetische Kategorien. Perspektiven der Kunstwissenschaft und der Philosophie (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie 7), Bielefeld 2017, 53\u201373
DOI:\u00a010.14361\/9783839435915-005<\/a><\/p>\n

online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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2016<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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No se puede mirar \/ Man kann es nicht ansehen. \u2039Bild und Tod\u203a in den Desastres de la Guerra von Francisco Goya<\/h5>\n

in: Stoellger, Philipp\/Wolff, Jens (Hg.), Bild und Tod. Grundfragen der Bildanthropologie (Hermeneutische Untersuchungen zur Theologie 68), T\u00fcbingen 2016, 233\u2013262<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2015<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Das Herz hat seine Gr\u00fcnde, die die Vernunft nicht kennt. Kunst im Auge Batailles<\/h5>\n

in: Boelderl, Artur R. (Hg.), Welt der Abgr\u00fcnde. Zu Georges Bataille, Berlin 2015, 108\u2013121<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2014<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Der Kunstbegriff des II. Vatikanums. Eine Relecture vor dem Hintergrund gegenw\u00e4rtiger Kunstdiskurse<\/h5>\n

in: Kreutzer, Ansgar\/Wassilowsky, G\u00fcnther (Hg.), Das II. Vatikanische Konzil und die Wissenschaft der Theologie (Linzer Philosophisch-Theologische Beitr\u00e4ge 28), Frankfurt a. M. 2014, 279\u2013302<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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Was hat Kunst mit Migration zu tun? Sprachen der Kunst<\/h5>\n

in: Biffl, Gudrun\/R\u00f6ssl, Lydia (Hg.), Integration und Migration, Bd. 4, Wien 2014, 255\u2013277<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2013<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Die Fadenkreuze der Kunst sind zwecklos. Autonomie und Engagement<\/h5>\n

in: kunst und kirche 76 (3\/2013): sch\u00f6n und gut, 12\u201315<\/p>\n

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2012<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Kunst als Sprache der Religion. Methodologische \u00dcberlegungen<\/h5>\n

in: Esser, Annette\/Grevel, Sylvia\/Jasper, Alison (Ed.), Feminist Theology and Visusal Art \/ Feministische Theologie und Bildende Kunst \/ Theologia feminista y bella arte (Journal of the European Society of Women in Theological Research [ESWTR] 18), Leuven 2012, 27\u201338<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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M\u00e4nnerBlicke \u2013 FrauenBlicke. Kunstwissenschaftliche Bemerkungen zu Blick\u2013Beziehungen und Blick\u2013R\u00e4umen<\/h5>\n

in: Erne, Thomas\/Sch\u00fcz Peter (Hg.), Der religi\u00f6se Charme der Kunst,<\/strong>\u00a0<\/span>Paderborn 2012, 141\u2013157
DOI:\u00a0<\/span>10.30965\/9783657771851_009<\/a><\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2010<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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\u00abWo viel Licht ist, ist starker Schatten\u00bb. Reiz und Risiko des Projektiven. Monika Leisch-Kiesl und Isabel Z\u00fcrcher im Gespr\u00e4ch<\/h5>\n

in: kunst und kirche 73 (1\/2010): Projektion, 5\u20138<\/p>\n

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Die Welt als Projektionsproblem \u2013 Marcel Duchamp<\/h5>\n

in: kunst und kirche 73 (1\/2010): Projektion, 9\u201314<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2008<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Orientalismus \u2013 Primitivismus \u2013 Hybridisierung\/ Kreolisierung<\/h5>\n

in: kunst und kirche 71 (3\/2008): Transkulturalit\u00e4t?, 44\u201349<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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Dargestellte Bildwerdung. Narrativit\u00e4t und Interpikturalit\u00e4t bei William Kentrige (gem. m. Eva Sch\u00fcrmann)<\/h5>\n

in: kunst und kirche 71 (1\/2008): bild \u2013\u00a0k\u00f6rper \u2013 raum,<\/strong>\u00a0<\/span>9\u201314<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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In Auseinandersetzung mit Marie-Jos\u00e9 Mondzain, L\u2019image peut-elle tuer?<\/h5>\n

in: kunst und kirche 71 (1\/2008): bild \u2013\u00a0k\u00f6rper \u2013 raum,\u00a015\u201323<\/p>\n

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Fragen nach Bildern. Eine Sammelrezension zum Thema<\/h5>\n

in: kunst und kirche 71 (1\/2008): bild \u2013\u00a0k\u00f6rper \u2013 raum,<\/strong>\u00a061\u201371<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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Ikonoklasmus und Ikonoklasmen<\/h5>\n

in: Hofer Michael\/Leisch-Kiesl, Monika (Hg.), Evidenz und T\u00e4uschung. Stellenwert, Wirkung und Kritik von Bildern (Linzer Beitr\u00e4ge zur Kunstwissenschaft und Philosophie 1), Bielefeld 2008, 109\u2013129<\/p>\n

DOI:\u00a0<\/span>0.14361\/9783839410035-006<\/a><\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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2006<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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\u00abLa imaginaci\u00f3n es libre; el hombre no.\u00bb Luis Bu\u00f1uel im Gespr\u00e4ch mit Jacques Derrida<\/h5>\n

in: Zeilinger, Peter\/Portune, Dominik (Hg.), nach Derrida. Dekonstruktion in zeitgen\u00f6ssischen Diskursen,<\/strong>\u00a0<\/span>Wien 2006, 218\u2013223
online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Die Kunst ist wie ein Trampolin. Monika Leisch-Kiesl im Gespr\u00e4ch mit Johannes Deutsch<\/h5>\n

in: Ludwig, Matthias (Hg.), Kunst \u2013 Raum \u2013 Kirche.<\/strong>\u00a0<\/span>Eine Festschrift f\u00fcr Horst Schwebel \u2013 zum 65. Geburtstag, Lautertal 2005, 215\u2013227<\/p>\n

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Schleier (gem. m. Julia Allerstorfer)<\/h5>\n

in: Flo\u00dfmann, Ursula (Hg.), Universit\u00e4re Weiterbildung zu Gender Studies (Linzer Schriften zur Frauenforschung 28), Linz 2004, 63\u2013112
online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Bilder der Angst<\/h5>\n

in: Loretan Adrian\/Luzatto, Franco (Hg.), Gespenster der Angst. Gesellschaftliche \u00c4ngste als theologische Herausforderung, Kontext Europa (Theologie Ost \u2013 West. Europ\u00e4ische Perspektiven 3), M\u00fcnster 2004, 11\u201326
online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Stichwort: Qualit\u00e4t<\/h5>\n

in: Diakonia 35 (6\/2004), 394\u2013401<\/p>\n

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Design der Kirche. Ein Gespr\u00e4ch<\/h5>\n

in: kunst und kirche 4\/2003: Der Wert der Dinge, 215\u2013219<\/p>\n

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Kunst als Sprache der Religion. El Greco \u2013 Ein Neuerer religi\u00f6ser Malerei?<\/h5>\n

in: Uhl, Florian\/Boelderl, Artur R. (Hg.), Die Sprachen der Religion (Schriften der \u00d6sterreichischen Gesellschaft f\u00fcr Religionsphilosophie 4), Berlin 2003, 159\u2013191
online unter:\u00a0<\/span>Academia.edu<\/a><\/p>\n

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\u00abDen Kunstbegriff gilt es auf Punktgr\u00f6\u00dfe zu verengen.\u00bb Kunst als Raum der Kommunikation<\/h5>\n

in: Aufmerksame Solidarit\u00e4t. Festschrift f\u00fcr Bischof Maximilian Aichern, hg. v. Peter Hofer, im Auftrag des ProfessorInnenkollegiums der Katholisch-Theologischen Privatuniversit\u00e4t Linz, Regensburg 2002, 193\u2013203<\/p>\n

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Kanon<\/h5>\n

in: Kunstforum International 162 (Nov\/Dez 2002): \u00dcber das Kononische, 65\u201381
online unter:\u00a0Academia.edu<\/a><\/p>\n

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Das Fromme Zitat. Ein Gespr\u00e4ch<\/h5>\n

in: kunst und kirche 2\/2002: Pl\u00f6tzlich nicht nur Spiel. Pathos und Emotion in der zeitgen\u00f6ssischen Kunst,<\/strong>\u00a0<\/span>77\u201386<\/p>\n

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Gr\u00e4ben und Br\u00fccken zwischen Kunst und Kirche. 10 Thesen + 1<\/h5>\n

in: Projekt KunstKirche. Kirche in der Begegnung mit zeitgen\u00f6ssischer Kunst, Mainz 2002, 27\u201332<\/p>\n

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Sakrale R\u00e4ume. Zwei Beispiele aus den neunziger Jahren in Ober\u00f6sterreich<\/h5>\n

in: Kalb, Herbert\/Sandgruber, Roman (Hg.), Festschrift f\u00fcr Rudolf Zinnhobler zum 70. Geburtstag, Linz 2001, 133\u2013141<\/p>\n

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Ma\u00dfe und Poren. Der K\u00f6rper als Schnittstelle der Kunst<\/h5>\n

in: KlangSchatten. Installationen aktueller Kunst in f\u00fcnf Erfurter Kirchen, M\u00fcnchen 2000, 1. 8\u201312<\/p>\n

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Pr\u00e4zision und Weite<\/h5>\n

in: Krauth, Markus\/Zogmayer, Leo (Hg.), Raum-Lichtung. Die Neugestaltung der Pfarrkirche Maria Geburt in Aschaffenburg durch Leo Zogmayer, M\u00fcnster 2000, 20\u201340<\/p>\n

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Die Kritik der Kunst<\/h5>\n

in: Leisch-Kiesl, Monika\/ Schwanberg, Johanna (Hg.), n e x u s. K\u00fcnstlerische Interventionen im Stadtraum, Wien\/ New York 1999, 205\u2013211
online unter:\u00a0Academia.edu<\/a><\/p>\n

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Zwei \u00abPaar Schuhe\u00bb oder: Die Zeit der Kunst<\/h5>\n

in: It\u2019s now or never. Transit I\u2013IV,<\/strong>\u00a0<\/span>hg. v. der Deutschen Gesellschaft f\u00fcr Christliche Kunst, M\u00fcnchen 1999, 50\u201351
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Das Institut f\u00fcr Kunst \u2013 Formen der Kunstvermittlung<\/h5>\n

in: Expression und Meditation \u2013 Sammlung Rombold, hg. v. Peter Baum und G\u00fcnter Rombold, Neue Galerie der Stadt Linz 1999, 249\u2013251<\/p>\n

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Die Wiederkehr der Bilder und die Freiheit des Betrachters<\/h5>\n

in: Bartoszewski, Wlasylaw u.a. (Hg.), Die Freiheit beim Wort nehmen. Verantwortung und Verst\u00e4ndigung in pluralistischen Verh\u00e4ltnissen, Fritz Csoklich zum 70. Geburtstag, Graz 1999, 187\u2013191<\/p>\n

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Bilder als Orte der Theologie?<\/h5>\n

in: Das M\u00fcnster 4\/1997, 333-344
modifizierter Wiederabdruck in: Caleen, Justinus Maria (Hg.), Mysterium oder Spekulation. Gibt es eine \u00ab(un-)christliche\u00bb Kunst?, Ein interdisziplin\u00e4res Symposium (Kleine Hohenheimer Reihe 38), Stuttgart 1998, 27\u201360<\/p>\n

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Monika Leisch-Kiesl, Theologin und Kunsthistorikerin. Interview M\u00e4rz 1997<\/h5>\n

in: Ingrisch, Doris\/ Lichtenberger-Fenz, Brigitte (Hg.), Zur Genese feministischer Wissenschaft in \u00d6sterreich. Ein wissenschaftshistorischer Rekonstruktionsversuch anhand lebensgeschichtlicher Interviews (bm:bwk Gesellschaftswissenschaften: Gender Studies), 171\u2013183<\/p>\n

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K\u00fcnstlerische Recherchen des Subjekts \/ An Artistic Investigation of the Subject (dt.\/engl.)<\/h5>\n

in: Johannes Deutsch. Aus dem Zentrum der Verflechtung, Wien 1997, 19\u201321 (dt.). 100\u2013102 (engl.)
online unter:\u00a0Academia.edu<\/a><\/p>\n

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Die Durchl\u00e4ssigkeit der K\u00f6rper. K\u00f6rperBilder angesichts schwindender Identit\u00e4ten<\/h5>\n

in: entgegen. ReligionGed\u00e4chtnisK\u00f6rper in Gegenwartskunst,<\/strong>\u00a0<\/span>hg. v. Alois, K\u00f6lbl,\u00a0Gerhard Larcher\u00a0und Johannes Rauchenberger, Ostfildern-Ruit 1997, 68\u201375<\/p>\n

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Denkmal\/ Denk-mal. Zur Frage nach Ged\u00e4chtnis und Erinnerung anhand ausgew\u00e4hlter Beispiele<\/h5>\n

in: Skulptur in Ober\u00f6sterreich 1880\u00a0\u2013<\/span>\u00a0<\/span>1990. Denkmalbeobachtungen (Kataloge des O\u00d6. Landesmuseums NF 104), Weitra 1996, 23\u201333<\/p>\n

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Bildhauerinnen<\/h5>\n

in: Skulptur in Ober\u00f6sterreich 1880 \u2013 1990. Denkmalbeobachtungen (Kataloge des O\u00d6. Landesmuseums NF 104), Weitra 1996, 51\u201357<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

\u2039Es sind Fragen aufgetreten und offen geblieben, von denen ich hoffe, da\u00df sie nicht allzu schnell beantwortet werden (k\u00f6nnen).\u203a Michael Haneke \u2013 Robert Bresson<\/h5>\n

in: Grabner, Franz u.a. (Hg.), Utopie und Fragment, Mainz 1996, 169-186; \u00fcberarbeitete Fassung, in: Wessely, Christian\/Larcher, Gerhard\/Grabner, Franz (Hg.), Michael Haneke und seine Filme. Eine Pathologie der Konsumgesellschaft, Marburg 2005, 347\u2013368; 3. erw. u. verb. Auflage Marburg 2012, 349\u2013370
online unter:\u00a0\u00a0<\/span>Academia.edu<\/a><\/p>\n

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Diesseits der Grenze. Reflexionen zum Begriff des Erhabenen<\/h5>\n

in: Orientierung 60 (1996), 9\u201312. 22\u201324
online unter:\u00a0Academia.edu<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ make_equal=“on“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“0px||10px||false|false“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ background_color=“RGBA(0,0,0,0)“ custom_padding=“|||“ custom_css_main_element=“margin: 0;“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.27.0″ _module_preset=“default“ header_2_font=“|700|||||||“ header_2_font_size=“20px“ header_5_line_height=“1.3em“ background_color=“#f6f6f6″ custom_margin=“10px||10px||true|false“ custom_padding=“22px|22px|22px|22px|false|true“ custom_css_main_element=“height: 100%;“ box_shadow_style=“preset3″ global_colors_info=“{}“]<\/p>\n

K\u00f6rperbilder. Neue Medien im Diskurs der Geschlechter<\/h5>\n

in: Neue Medien und Kommunikation, hg. v. der Interuniversit\u00e4ren Koordinationsstelle f\u00fcr Frauenforschung und Frauenstudien Linz, Linz 1996, 137\u2013157
online unter:\u00a0Academia.edu<\/a><\/p>\n

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1995<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Johannes Deutsch. Blickfelder des Lichts \/ Perspectives of Light (dt. \/ engl.)<\/h5>\n

in: Johannes Deutsch. Blickfelder des Lichts. Galerie Chobot Wien 1995, 4\u201311
online unter:\u00a0Academia.edu<\/a><\/p>\n

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\u00abAls alle Dinge \u2026\u00bb.\u00a0Max Weiler\u00a0im Gespr\u00e4ch mit einem mittelalterlichen Theologen<\/h5>\n

gek\u00fcrzte Fassung in: www.ktu-linz.at\/aktuell\/statements_dies_2003\/statement_leischkiesl.html
online unter:\u00a0Academia.edu<\/a>
publiziert 2025<\/em>, in: Guanzini, Isabella u.a. (Hg.), Kunst trifft Theologie, Innsbruck 2025, 120\u2013138 + Tf.II-III<\/p>\n

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1993<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Irritation des G\u00f6ttlichen. Zur Frage des Zusammenwirkens von Text und Bild am Beispiel des Wiesbadener Scivias Hildegards von Bingen<\/h5>\n

in: Schneider, Theodor\/Sch\u00fcngel-Straumann, Helen (Hg.), Theologie zwischen Zeiten und Kontinenten. F\u00fcr Elisabeth G\u00f6ssmann, Freiburg\/Br u.a. 1993, 84\u201397<\/p>\n

online unter:\u00a0Academia.edu<\/a><\/p>\n

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1989<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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\u2039Paragone\u203a. Die Anerkennung der Erkenntnisleistung von Kunst<\/h5>\n

in: Leisch-Kiesl, Monika\/Savio, Enrico (Hg.), Die Wahrheit der Kunst. F\u00fcr G\u00fcnter Rombold zum 65. Geburtstag, Stuttgart 1989, 160\u2013172<\/p>\n

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1988<\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Marienverehrung und Marienkult in der darstellenden Kunst<\/h5>\n

in: Moltmann-Wendel, Elisabeth\/K\u00fcng, Hans\/Moltmann, J\u00fcrgen (Hg.), Was geht uns Maria an? Beitr\u00e4ge zur Auseinandersetzung in Theologie, Kirche und Fr\u00f6mmigkeit, G\u00fctersloh 1988, 184\u2013203<\/p>\n

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Lexika KUNST. I Philosophie in: Herder Staatslexikon, Bd. 3, 8. v\u00f6llig neu bearb. Auflage, hg. v.d. G\u00f6rres-Gesellschaft, Freiburg\/Basel\/Wien 2019, 1210\u20131217 online unter:\u00a0Academia.eduExtended Version unter:\u00a0Academia.eduEva (Kunst); Ikonografie; M\u00e4rtyrin (Teil 2); Symbol (Kunstgeschichte) in: W\u00f6rterbuch der feministischen Theologie, hg. v. Elisabeth G\u00f6ssmann u.a., G\u00fctersloh (2)2002, 131\u2013133; 297\u2013298; 406\u2013408; 528\u2013531 online unter:\u00a0Academia.eduSymbol (II. Philosophie und Theologie) in: Lexikon […]<\/p>\n","protected":false},"author":1,"featured_media":18,"parent":608,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-80","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nAufs\u00e4tze und Artikel - Monika Leisch-Kiesl<\/title>\n<meta name=\"description\" content=\"Lexika & Sammelb\u00e4nde und Fachzeitschriften\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leisch-kiesl.com\/en\/publications\/articles-and-essays\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aufs\u00e4tze und Artikel - Monika Leisch-Kiesl\" \/>\n<meta property=\"og:description\" content=\"Lexika & Sammelb\u00e4nde und Fachzeitschriften\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leisch-kiesl.com\/en\/publications\/articles-and-essays\/\" \/>\n<meta property=\"og:site_name\" content=\"Monika Leisch-Kiesl\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-18T11:52:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leisch-kiesl.com\/wp-content\/uploads\/2021\/10\/SCHATTEN01.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2341\" \/>\n\t<meta property=\"og:image:height\" content=\"1949\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"52 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leisch-kiesl.com\\\/publikationen\\\/aufsatze-und-artikel\\\/\",\"url\":\"https:\\\/\\\/leisch-kiesl.com\\\/publikationen\\\/aufsatze-und-artikel\\\/\",\"name\":\"Aufs\u00e4tze und Artikel - 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