{"id":621,"date":"2022-01-02T10:50:06","date_gmt":"2022-01-02T10:50:06","guid":{"rendered":"https:\/\/monika.web-work.at\/?post_type=project&p=621"},"modified":"2025-10-31T17:46:51","modified_gmt":"2025-10-31T17:46:51","slug":"zeichensetzung","status":"publish","type":"project","link":"https:\/\/leisch-kiesl.com\/en\/project\/zeichensetzung\/","title":{"rendered":"ZeichenSetzung"},"content":{"rendered":"

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ZeichenSetzung | BildWahrnehmung, 2016<\/h2>\n

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>> Verlag f\u00fcr moderne Kunst_deutsch<\/a><\/p>\n

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Evoking a Sign | Perceiving an Image, 2021<\/h2>\n

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>> Verlag f\u00fcr moderne Kunst_english<\/a><\/p>\n

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\u00dcber<\/h2>\n

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Es gibt f\u00fcr mich ein paar Bibeln der Zeichnung, dazu geh\u00f6rt etwa die Publikation von Catherine de Zegher, On Line<\/em>. Ich werde mit Sicherheit auch das Buch von Monika Leisch-Kiesl in mein Repertoire an Bibeln aufnehmen!<\/p>\n

Elsy Lahner, Kuratorin f\u00fcr Gegenwartskunst,
Albertina Wien, April 2017<\/em><\/p>\n<\/div>\n<\/div>\n

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Wie ein Wirbelwind durchst\u00f6bert die Autorin kunstwissenschaftliche und philosophische Theoreme und wei\u00df an den richtigen F\u00e4den zu ziehen. Stets die gro\u00dfformatigen Zeichnungen Toba Khedooris im Blick verliert sie den Horizont ihres Forschens nicht aus dem Auge. Sie stachelt ihre LeserInnen an, eingespielte Denkpfade zu verlassen\u00a0\u2013 und wird sich damit nicht nur Freunde machen.
Dass sie dabei nicht alle relevanten und gegenw\u00e4rtig diskutierten Positionen aufgreift, l\u00e4sst den Fachmann manchen Literaturhinweis und erwarteten Disput vermissen\u00a0\u2013 doch schafft sie es damit, eine komplexe Gedankenf\u00fchrung leicht zu halten. Auch wenn der Band dank der hervorragenden Gestaltung von Sibylle Ryser gewichtig in H\u00e4nden liegt.
Eine mutige Publikation, die nicht zuletzt danach fragt, wie ein kunst-wissenschaftliches Buch seine LeserInnen erreichen kann.<\/p>\n

Veranstaltungsank\u00fcndigung<\/i>,
Albertina Wien, M\u00e4rz 2017<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Anhand der Zeichnungen von Toba Khedoori zeigt Monika Leisch-Kiesl die schier unendliche Tiefe und gleichzeitige Begrenztheit des kreativen Prozesses auf, der als eine gef\u00fchlte und gedankliche Ann\u00e4herung an das gesehen werden kann, was nie erreicht wird. Die assoziativen R\u00e4ume, die sich beim Betrachten des Unvollst\u00e4ndigen er\u00f6ffnen, f\u00fchren dieses Prinzip weiter. Sie scheinen unendlich und sind doch begrenzt. Die Wahrnehmung als Basis kreativen Schaffens und Erkennens wird in ihrer Vielschichtigkeit von der Autorin mit einem analytischen Verst\u00e4ndnis behandelt, das mich als K\u00fcnstlerin tief ber\u00fchrt, best\u00e4tigt und bereichert.<\/p>\n

Siegrun Appelt, K\u00fcnstlerin<\/em>
Wien, Dezember 2016<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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About<\/h2>\n

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Professor Leisch-Kiesl\u2019s book \u02bbZeichenSetzung \/ BildWahrnehmung. Toba Khedoori: Gezeichnete Malerei\u02bc [literally = Sign-Setting \/ Image-Perception. Toba Khedoori: Drawn Paintings] is the most thorough study of the artist\u2019s work to date. For, not only does it present in-depth analyses of Toba Khedoori\u2019s \u02bbdrawn paintings\u2019, it also is a very concise, and scholarly discussion of the phenomenology of draftsmanship under contemporary conditions.<\/p>\n

Leisch-Kiesl convincingly shows that our understanding of Khedoori\u2019s work benefits greatly from reading it through some of the most definite European philosophers\u2019 concepts (Derrida, Gottfried Boehm, et al.) and current image theory as well.<\/p>\n

Leisch-Kiesl\u2019s book is pleasant reading to the mind, yet never underestimates its readership. It should appeal to anyone, whether academically trained or not, who is interested in Toba Khedoori\u2019s work and the true complexity of her artistic concept.<\/p>\n

Dr. Stephan E. Hauser, May 2017<\/em>
Librarian at Schaulager*<\/p>\n

*Schaulager (www.schaulager.org) holds one of the largest collections of Toba Khedoori\u2019s work, and has lent to the artist\u2019s recent mid-career exhibition in Los Angeles, currently shown at its second venue, the P\u00e9rez Art Museum in Miami.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u201eI have read few chapters in your book Evoking a Sign \/ Perceiving an Image<\/em>. I really admire your style and the profundity of your questioning. It is a pleasure for me to move with your text. I will continue to read it.\u201c<\/p>\n

Dr. Zeynep Direk, August 2021<\/em>
Professor at Ko\u00e7 University, Istanbul<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u201eI have read few chapters in your book Evoking a Sign \/ Perceiving an Image<\/em>. I really admire your style and the profundity of your questioning. It is a pleasure for me to move with your text. I will continue to read it.\u201c<\/p>\n

Dr. Zeynep Direk, August 2021<\/em>
Professor at Ko\u00e7 University, Istanbul<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Presse \/ Reviews<\/h2>\n

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Peter Schink, in: <\/span>kuki. Magazin f\u00fcr Kritik, \u00c4sthetik und Religion 82 (2\/2019), 62<\/a>\u00a0<\/p>\n

Monika Keller, in: goodreads.com (apr 25, 2018)<\/a><\/p>\n

Hannah Winkelbauer, in: O\u00d6N 2018-01-12<\/a>, 16<\/p>\n

Johanna di Blasi, in: sehepunkte 17 (06\/2017)<\/a><\/p>\n

Susanne Winder im Gespr\u00e4ch mit Monika Leisch-Kiesl, in: kunstgeschichte aktuell XXXIII (04\/2016)<\/a>, 3<\/p>\n

Kundenrezension, in: amazon.de <\/a>(12\/2016)<\/p>\n

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Julia Regina Meer, in: Journal f\u00fcr Kunstgeschichte 04\/2021<\/a>, 367\u2013373<\/p>\n

Aloisia Moser, in: Drawing: Research, Theory, Practice_vol. 6.1 (05\/2021)<\/a>
DOI: https:\/\/doi.org\/10.1386\/drtp_00061_5<\/a><\/p>\n

Isabella Guanzini, in: JRFM. Journal for Religion, Film and Media 03\/2 (2017)<\/a>, 79-84<\/p>\n

Jan de Haan, in:\u00a0googlebooks.com\u00a0(04\/2017)<\/a><\/p>\n

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Book Launch \/ Talk<\/h2>\n

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LECTURE: Evoking a Sign | Perceiving an Image. How images (of art) gain meaning and relevance \u2013 in public space, <\/span><\/i>im Rahmen der\u00a0<\/span>BIP Summer School, KU Linz<\/span><\/a><\/span>,\u00a0<\/span>\u00abArt, Space, and the Publics\u00bb<\/span><\/a><\/span>, 09.04.2025<\/span><\/p>\n

LECTURE: Evoking a Sign. (Contemporary) Concepts of Drawing & An Aesthetic Approach to the Worsk of Toba Khedoori<\/a>, Pepperdine University Los Angeles<\/a>, 31.01.2022<\/p>\n

LECTURE: Evoking a Sign. Three Contemporary Ways of Drawing<\/a>, Jan Matejko Academy of Fine Arts Krak\u00f3w<\/a>, 17.12.2021<\/p>\n

BOOK TALK:\u00a0Zeichensetzung I BildWahrnehmung,<\/em> mit Martin Hochleitner<\/a>, Salzburg Museum<\/a>, 09.11.2017<\/p>\n

MATINEE: F\u00e4hrten der Zeichnung<\/em>, mit Bogdan Vaida, Piano<\/a>, Rehmann Museum Laufenburg<\/a>, 30.07.2017<\/p>\n

ALBERTINA TALK: Drawing Now<\/em>, mit Elsy Lahner<\/a>, Albertina Wien<\/a>, 01.04.2017<\/p>\n

BOOK LAUNCH:\u00a0 Zeichensetzung I BildWahrnehmung<\/em>, Galerie Stampa Basel<\/a>, 31.01.2017<\/p>\n

BUCHPR\u00c4SENTATION: Die Improvisation der Zeichnung<\/em>, mit Georg Wilpertz, Brunnhofer Galerie Linz\u00a0& Kepler Salon Extern<\/a>, 05.12.2016<\/p>\n

zur Galerie<\/a><\/p>\n

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Fachtagung<\/h2>\n

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Zeichen Setzen<\/a><\/h3>\n

Fakult\u00e4t f\u00fcr Philosophie und f\u00fcr Kunstwissenschaft, KU Linz \/\u00a0Abteilung Kulturwissenschaft, Kunstuniversit\u00e4t Linz \/ IDA \u2013 Institute of Dance Arts, ABPU Linz, 08. \u2013 10.06.201<\/p>\n

zur Galerie<\/a><\/p>\n

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ZeichenSetzung | BildWahrnehmung, 2016>> Verlag f\u00fcr moderne Kunst_deutschEvoking a Sign | Perceiving an Image, 2021>> Verlag f\u00fcr moderne Kunst_english\u00dcber Es gibt f\u00fcr mich ein paar Bibeln der Zeichnung, dazu geh\u00f6rt etwa die Publikation von Catherine de Zegher, On Line. Ich werde mit Sicherheit auch das Buch von Monika Leisch-Kiesl in mein Repertoire an Bibeln aufnehmen! […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-621","project","type-project","status-publish","hentry"],"yoast_head":"\nZeichenSetzung - Monika Leisch-Kiesl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leisch-kiesl.com\/en\/project\/zeichensetzung\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ZeichenSetzung - Monika Leisch-Kiesl\" \/>\n<meta property=\"og:description\" content=\"ZeichenSetzung | BildWahrnehmung, 2016>> Verlag f\u00fcr moderne Kunst_deutschEvoking a Sign | Perceiving an Image, 2021>> Verlag f\u00fcr moderne Kunst_english\u00dcber Es gibt f\u00fcr mich ein paar Bibeln der Zeichnung, dazu geh\u00f6rt etwa die Publikation von Catherine de Zegher, On Line. 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